Showing posts with label Working with Photos. Show all posts
Showing posts with label Working with Photos. Show all posts

Friday, 22 May 2020

Memory & Story


My mother recently moved into a nursing home, or, as we like to refer to it, “the most expensive serviced apartment she could afford”. She purchased the room by selling her independent living apartment in a retirement village, where independence had been translated into “we won’t intrude other than once a week to send in a cleaner as long as you follow the rules”. 
In her new place meals were prepaid and served in a common dining area with an optional glass of wine. Residents were careful not to ‘visit’ each other too often and cross the line of being intrusive. During the day residents were out and about leaving the village and doing what most people do in retirement enjoy life. Liberated from the worries of property maintenance and utility bills, life was grand.

Over time, however, things began to change for Judy. Subtly at first, the nights seemed to get longer. The hip pain that she’d ignored for so long seemed to escalate. Ambulances were called several times in the wee hours of the morning for tummy pain, and each time an uncomfortable night was spent in Emergency on an ambulance trolley for observation. The nurses were racing round tending injuries and the illnesses of others while popping their heads around the makeshift curtain every so often to check that she was okay.

After each episode, Judy would return to the Village, with a new normal just slightly altered in an almost imperceptible way but enough that the world seemed to be slowly shrinking around her. Words began to slip out of sight or not leave the tongue quite so easily as they had before.

Judy has always been a person of decisive action; she knew something had to be done and now. Within a week of her suddenly reaching this inexplicable decision she booked herself into hospital for a hip operation. The X-rays had revealed her hip joint had died, possibly from a fall from a horse around 20 years ago. Instead of the X-rays showing calcification of the joint, there was a black patch where the joint should have been. “Delirium” or, as laypeople would call it, “confusion” postoperatively was to be expected but it should settle within a couple of weeks. Judy decided it was worth the risk, better than having someone “wipe your arse” in later life because you couldn’t move around.

Judy came through with flying colours although rehab was proving a little difficult. Wasn’t there a pill for that? Judy returned to her former self but it became evident that perhaps something else was happening that had been masked by her belief that somehow everything would be okay. Support was put in place to allow her continued independence, and she won the hearts of those assisting her, everyone loved her winning smile and gracious attitude. Only those one or two who were in her inner circle realised that something wasn’t quite right.

Finally, the General Practitioner agreed to write a referral for Judy to access the local memory clinic. Working the system again and accessing something for “free” appealed to Judy. After extensive tests and follow-up, the results showed that Judy was in the very beginning phase of Alzheimers.

That was eighteen months ago. When I visit now, she talks with wonder about the luxury she now lives in, being able to stay in bed until lunchtime and only getting up after breakfast to go to the dining room. During one of my weekly visits, she tells me she wants for nothing. She can’t understand how for the first time in her life she doesn’t have to rush or worry, and how everything has now been taken care of. She is safe from the COVID 19 plague.

Sometimes she forgets that this is her new home although it is not with displeasure. The frame that hangs on the wall in her room depicts a potted history of her nursing career. It reminds her of her accomplishments during her life, evoking memories and topics of conversation.  It “Thanks her for her Service” during a time when health care workers mostly women were unseen. It reminds those around her that she too was as busy as they are now. It enshrines her nursing badges and her nursing diploma that were at risk of being separated and misunderstood. The frame gives context to her accomplishments and reveals aspects of her professional life that might have become lost in time and broken into fragments of her larger story.

Sunday, 21 August 2016

Wagga Wagga Voluntary Aid Detachment

Was Grandma a member of the Wagga Wagga Voluntary Aid Detachment?


My grandmother, known to most of her friends as Rita, was born Margaret Edith Jacka in the year 1900 to parents Edwin Knight Jacka and Elizabeth Ebbott.[i]  Margaret married John (aka Jack) Williamson at the age of 22 (he was eight years her senior)  in 1922 at The Methodist Church in Hamilton, New South Wales.[ii] By 1937 the couple were living in Wagga Wagga, NSW.[iii]
World War II began in 1939, and although not confirmed, it is thought that the couple were still residing in Wagga Wagga with their 3 children, John, Margaret and Dorothy who ranged in age from 7 to 14.
She “was active in the Methodist Church, despite her husband’s protestations.  In fact, a lot of what she did seemed to be in spite of Jack.  In the Second World War she joined the Voluntary Aid Detachment, and he wasn’t too keen on that.”[iv] Maybe the call is what inspired Rita join the VAD.  It was certainly reported and advertised widely in the press.

Did she answer the call for volunteers in 1939 to support the local war effort?



Figure 2 Excerpt from the Daily Advertiser, 1939


The photo below shows a street parade of marching women that includes my grandmother. The photo indicates that she might have been a member of the Voluntary Aid Detachment (VAD) in 1939 as not all the women are in strict uniform.

Figure 1 Photographer Unknown, Street Parade, possibly in Wagga Wagga, c1940, scanned image

What was the Wagga Wagga VAD?

“The Wagga Wagga VAD was strong and valuable with 143 members in total over the World War II period.  It was a military based organisation carrying out medical assistance at the various military camps and bases as well as Wagga Wagga hospitals (including the public Wagga Base Hospital and the private hospitals, Welwyn and Lewisham). They were also active in non-medical voluntary activities and in fundraising, with most proceeds going to the Australian Red Cross Society.”[v] “The Wagga Wagga VAD also raised funds for the Mayor’s Patriotic and War Fund and the Australian Comforts Fund, along with other local organisations.”[vi]

What was Grandma’s role in the Wagga Wagga VAD?

Often we think of war as being at the battle fronts, and perhaps this is why it is so difficult to find out what Rita’s role was in the VAD. But she, along with other volunteers2, made a world of difference to those training and preparing to leave, and those away or returning. 
It is these unsung heroes and heroines that I admire, the ones whose stories we struggle to tell. It is their strong steadfast support that makes everything else possible.




Links

This story is part of the NFHM Blogging Challenge - Week 3

Sources
Images
Figure 1 Photographer Unknown, Street Parade, possibly in Wagga Wagga, c1940, scanned image
Figure 2 Excerpt from STRIKING RESPONSE BY WOMEN OF WAGGA (1939, September 19). Daily Advertiser (Wagga Wagga, NSW : 1911 - 1954), p. 2. Retrieved August 21, 2016, from http://nla.gov.au/nla.news-article144244315

Documents


[i] Victorian Birth Certificate, District of Brunswick, 1900/1238, Margaret Edith Jacka
[ii] NSW Marriage Certificate, district of Sydney, 1922/11616,  John Aaron Palmer Williamson & Margaret Edith Jacka
[iii] Ancestry.com. Australia, Electoral Rolls, 1903-1980 [database on-line]. Provo, UT, USA: Ancestry.com Operations Inc, 2010. Subdistrict: Wagga Wagga, Year 1937 Entries #8241 John Palmer Williamson & #8245 Margaret Edith Williamson Citing Original data: Australian Electoral Commission. [Electoral roll].
[iv] Christine Filliamundi, Memories of Grandma Williamson 20150108v2, unpublished essay, 2015; Helen Condon, personal communication with the author, 2006
[v] Kathleen Linder, 'Serving our King and Country' VAs in Wagga Wagga 1939-1946, Charles Sturt University Regional Archives Summer Scholarship Report 2006-2007
[vi] Kathleen Linder, 'Serving our King and Country' VAs in Wagga Wagga 1939-1946, Charles Sturt University Regional Archives Summer Scholarship Report 2006-2007 

Tuesday, 16 August 2016

Wedding photo of Thomas Manderson & Lillian Crump

This photo was taken to mark the wedding of Thomas MANDERSON married Lillian CRUMP in May 1903, Eaglehawk, Victoria[i].

Figure 1 G.L. Massingham, Wedding Photo of Lillian Crump & Thomas Manderson, 1903, scan of original image


Photo Details

Photo Type Mounted Photo on thick card
Photo size 13.8cm x 20cm
[5.11in x 7.87in]
Card size Unknown
Card Colour Natural
Card Edges straight cut
Border Single thick impressed line
Front Imprint G.L.Missingham, View Street, Bendigo
Photo Technology Cabinet Card


Background of the photo

Date of Photograph Thought to have been taken May 1903 either shortly before or after the couple were married in Garsed Street, Bendigo, Victoria, Australia
Venue of photograph The photo was most likely taken in the G.L.Missingham studios. This studio were widely advertised almost on a weekly basis and sometimes more often
Photographer · Photographer's name printed beneath image as “G.L. Massingham View Street Bendigo”
Personal notations Notation 1 on the back of the photo “Lillian Crump & Thomas Manderson on their wedding day”
Archive Reference B021
Provenance Myrtle Sharp's Private Photo Collection currently held by Sandra Williamson

An advertisement for the photographer in 1903 

Figure 2 Advertising (1903, May 6). Bendigo Advertiser (Vic. : 1855 - 1918), , p. 4. Retrieved August 16, 2016, from http://nla.gov.au/nla.news-article88570169

Image Contents

Portrait of two people - seated Lillian Crump, standing Thomas Manderson

Links

To read more about about Thomas Manderson & Lillian Manderson's wedding click here
To read more about Thomas Manderson & Lillian Manderson's wedding venue click here


[i] Victorian Marriage Certificate, District of Bendigo, 1903/2358, Thomas Manderson and Lillian Crump


Saturday, 13 August 2016

Working with Photos - 3 Siblings

This photo is thought to have been taken in 1909, in Tasmania which was then sent back to Catherine Crump nee Dutton who is the grandmother of the children in the photograph.

 Background of the photo


Date of Photograph
Thought to have been taken in 1909  the baby in the middle was born in September 1908

Venue of photograph
Unknown Tasmanian Photograph Studio

Photographer
Uknown
Personal notations
Notation 1 “To Mother with Love from Lillian” by Lillian Bassett (mother of the children)
Notation 2 “Doris, Myrtle William” by Myrtle Sharp nee Bassett (one of the children)
Notation 3 “#20” by Sandra Williamson when originally cataloguing the photo in the 1980s.
Archive Reference
b437

Provenance
Myrtle Sharp's Private Photo Collection currently held by Sandra Williamson

Image Contents

Left to right Myrtle Bassett, William Bassett and Doris Bassett (siblings)  identified by Myrtle Sharp nee Bassett,  Children of William Bassett & Lillian Crump

Remaining Queries

William Bassett, the baby in the photo, is thought to have been born in Dundas, Tasmania, Australia, however we have never been able to locate either his birth certificate or christening record.[i]  This photo also may have been taken in a photo studio either in Dundas or close by.


[i] NAA: B883, VX21203 William BASSETT

Saturday, 19 January 2013

Sorting Saturday – sorting current photos


In an era where we are inundated which digital images from the present and the recent past it is difficult to work out what to keep, what to organise and how to organise it.

We are the keepers of the present for the future.


So  I thought I’d share something that I did for grandmother when she was alive and that I now for my mother in law at the moment and once I get that up to date I hope to do one for my own 78 year old mother.
I create descendant scrapbooks/picture books as gifts for special occasions, for the elders in  my family.   


These books are not fancy they are pictures mounted on plain card using family photos, (I found  our elders do not like photos on angles or too many embellishments as it makes the pages too busy and distracting, although patterned paper is find)

I made my first one for my grandmother for her 90th birthday .  I worked my way through each of her descendants stepping down through each generation.  I included wedding photos of every marriage (it gave me an excuse to get the photos, and organise those that I already had) and I used copies of invitations that I had and for those that I didn’t I asked people to send me copies.  I also including the wedding notices that I kept over the years.

Then I grouped photos of all the families, where there were gaps I requested them from the families (this took quite a bit of time to organise, but they didn’t have to be formal photos, and there had to be one of the current year and then as many as they had of their children together in a photograph over the years). 


The overall layout of the Album
I did the gift recipients wedding first and then her family following the same pattern as outlined below.
When I was laying out each family I would do the following pages:-
  1. Wedding page or commitment page if there was no wedding for the couple
  2. A page to show the descendants of the wedded coupled in a 2 or 3 generation descendant tree (so not very big) then I would only include a few who family photos (must include parents and offspring) on that page 
  3. Then one or two following pages photos (that would have the title weeding couple 1 and the kids) which included all the couple’s children in a photograph from when they were born until the present day.   The trick was to get current photos of the that year (in this case 2007)
  4. These families were then arranged in the album according to the mains person descendant tree which was at the front of the album, with each of her children’s family line photos being mounted on different coloured paper stock to try and give the album some sort of coherency.

The overall album was set out as follows
Section 1
Introducing the main ancestor
Introducing Mr & Mrs “main couple”
Then the family of Mr & Mrs “main couple”
Then a page of shared memories things/events that I knew Mr & Mrs “main couple” thought were important and where there were lots of family in the photos, but not too many you can always do a live story album at another time.

Section 2
The next generation down (and I moved sequentially through her children’s children(grandchildren)) using the same format

Section 3
The beginnings of the 4th generation

The back section
I list all the current postal addresses of all the descendants, and I also list everyone birthdays organised by calendar month, with a notation on how these descendants are related to the gift recipient. 

In Summary

These albums are simple and valued by the gift recipients as memory keepers and brag books to show friends.  
At family functions they come out and the children search through them pointing out their own images and looking at their aunts, uncles and parents weddings.
At funerals they become talking points and people flick through them and share memories with each other and talk with fondness of times past.
And yes it is the same album that was given initially updated every  five years.  And yes I have scanned the images , and the resulting pages, so if someone does spill cake or coffee on the original it doesn’t matter I’ll print out a copy.
What’s important is that it’s being used and history has being both created and shared and the muddle mess that I used to have I can now share or give to others.